While either of these two factors could have applied to previous historical moments in pop, the third is the one that most clearly locates “Despacito” in the early 21st century: in short, YouTube. The second factor helps to explain why “Despacito” was able to break out of the Latin pop realm and into the Anglophone and the global: Audiences had been primed to receive a pop-reggaeton song in the midst of an ongoing and unabated vogue for “tropical” sounds.

The first is relatively straightforward but not to be neglected: simply put, it’s a good pop song, combining decades of songwriting experience, a weaponized chord progression, inspired performances by seasoned professionals, and access to an international music industry. While I don’t believe in any single magic explanation for the remarkable resonance of “Despacito,” there are a few crucial factors that are worth our attention if we’re curious about this momentous occasion in American and global popular music.

As someone who has studied the history of reggaeton and Caribbean music in the United States, especially in the age of the internet, I have been as fascinated by “Despacito” as anyone. A phenomenon like “Despacito” invites speculation and demands analysis. It’s a hit on its own terms, a sexy Spanish sing-along with no special hook aside from its catchy refrains and insistent beat, and it was well on its way before Justin Bieber pulled a Pitbull and jumped on the bandwagon (and gave it a push). Unlike the “Macarena,” the song is not a silly novelty. No doubt, we’ve sung and danced along for far longer than that. It is now the most viewed and liked video on YouTube of all time, the fastest to rack up 2 billion views and the first to reach 3 billion - and in barely six months, a benchmark that took two years for Wiz Khalifa and Charlie Puth’s “See You Again.” By YouTube’s count, the people of the world have collectively watched “Despacito” for 20,000 hours. The smash of 2017, “Despacito” has topped the charts in nearly 50 countries, including an unprecedented run on the U.S.

Despacito yamaha style